Star Rating: 4.0 Very Good
Two Multi-Oscar Winning greats, Meryl Streep and Tom Hanks team up for the first time under the Multi-Oscar Winning director Steven Spielberg in The Post. This biographical drama has as a central character Katherine Graham, the first female publisher of a major American Newspaper. Timely in many ways, the story line stresses the need for freedom of press. Given the calibre of the director, leads and supporting cast The Post has been nominated for two Oscars. Best Picture and, for the 21st time, Best Actress Meryl Streep.
The story, set in 1971, focuses on the true events leading
up to the controversial publication of the ‘Pentagon Papers’. Top secret documents
that implicated five different Presidents of the USA in a catalogue of deceits
regarding the United States involvement in the Vietnam War.
Meryl Streep unsurprisingly excels in her role as owner of
‘The Washington Post’ who was known to be insecure, with a dislike of public
speaking, but nevertheless faced huge challenges head on and stood up to her
critics. This film pays homage to Katherine in a way that the hugely successful
1976 film All The President’s Men did not. The latter film about the Washington
Post’s exposé of the Watergate scandal that engulfed President Nixon and his in
house confidantes soon after. Katherine was basically airbrushed out of that
story altogether.
Ben Bradlee, the editor in charge at the time is played by
Tom Hanks with familiar avuncular charm partially concealing a hard edged
conviction that they must publish or be damned.
The supporting cast is littered with familiar faces from Acting
School’s top rank. Bob Odenkirk, hugely popular as Saul from Breaking Bad,
plays journalist Ben Bagdikian whose doggedness allows him to play an important part in the story. Sarah Paulson (12 Years a
Slave) is Ben’s wife, Tony, who although she doesn’t get much screen time, is allowed
a moving speech that encapsulates the superior motives of the free press.
This movie has, as you would expect from Steven Spielberg, its
tense and dramatic moments. But it is essentially a talking heads piece that
draws superb performances all round.
Great effort has been made to recreate the 1970’s journalistic
setting. The Production Design team have deployed old photos from The
Washington Post archives and replicated everything from the furniture,
telephones, type writers, papers and even the old-fashioned Linotype machines
used to print the newspapers. Characters period clothing and hairstyles are
lovingly copied and there is a sense of another time, another world.
The war in Vietnam is the background noise in this movie but the real battle being fought was for, with The Post’s very existence at stake,
the freedom of the Press. Parallels today abound and one is left to ponder if
the paranoia and self-interest of government has lessened. Has the casual
misogyny and sexism in the corridors of power been extinguished? In the delirious
time of President Donald Trump, can we dare to believe that there is more
honesty in the Oval Office?
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